Grew up in Brasil, arrived in the U.S in 2019
BA in Drama & Theatre Arts, Goldsmith's university, London
MA in Buddhist Philosophy, Sunderland University, UK
Represented by Sé Gallery in São Paulo, Brasil.
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I believe in the pursuit of ones talents, for success and fulfillment comes from a life of passion. This passion fuels me to continue my work through any challenges to share my vision with the world.
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My work is humanistic and relatable, from whimsical to provocative, through my sculpture I tell a visual story weaving mythology and social observation. The final interpretation is left for the viewer to decide. Sculpture is the culmination of over 40 years in creating, from architecture to furniture.
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My artwork has always been driven by an engagement with the natural world – the sweep of ocean and landscape, but also the minutiae of plants, pebbles, raindrops. Though I first fell in love with the luminosity of oil paint, recently I’ve begun to add new media, including natural pigments and inks that my children and I have made from Colorado plants.
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Dona’s images invite the observer to explore ways of seeing. Her work encourages the viewer to participate in the essence of the ordinary, be it the power of a simple gesture, the quality and diversity of light, or a moment in time that may otherwise have been overlooked, in a deep, dramatic and sensitive way.
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In my work, I relate to the primitive within the present day. I use multiple materials such as gauze & plaster. The work relates to our history, the present & how we incorporate the two to help find a peaceful balance on this planet & protect the less developed countries. I also paint copies of old religious masters & retablos.
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I love to draw from life, where the process of observation roots one in space and tine; many of my landscapes are done this way, starting from a specific location, then evolving in the studio. Architecture and portraiture figure strongly in my work, as well as political and social commentary,
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Collen Nyanhongo’s hails from Zimbabwe, which means “large house of stone.” He comes from a family of Zimbabwe Artists, and learned to sculpt stones from his father, Claude Nyanhongo, who helped create the Zimbabwe Sculpture Movement in the 1950’s and 60’s, the most prominent art form to emerge from Africa in the 20th century.
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